Silly Fun With Salman Khan- Ek Tha Tiger

Something fun for me about watching Ek Tha Tiger recently is that it was the first Bollywood film that I watched after having been aware of it before it was released. When I first discovered Bollywood, I simply bounced around Netflix and YouTube, watching movies that were, inevitably, at least several years old and often much older. As I started following Bollywood news a little bit online, and joined the fabulous BollyWhat? forum, I began to be exposed to movies before they were even released (amazing! tantalizing!). Reading about the Bollywood films coming on the horizon could be quite frustrating, because who knew when they would be available to such as I?  Well, kudos to Netflix, because a little over four months after Ek Tha Tiger's August 15 release, I watched it via online streaming.

I must stress that I wasn't expecting much from Ek Tha Tiger, because I think that is a key component to why I had so much fun watching it. The other fun came from, again, being able to watch a movie that I had watched, so to speak, people anticipate and then react to. I was also already very familiar with the soundtrack. Very. Familiar. I bought it after noticing how much my kids liked the song "Banjaara" on YouTube, and have listened to it countless times in the car, particularly "Mashallah," since my two-year-old is wont to shout "Again!" when it finishes.

But the reviews for Ek Tha Tiger were often lackluster, and since I didn't much care for Dabangg, which is a Salman Khan action flick that most people do seem to adore, I didn't think this would be my thing either. However, I was thoroughly entertained! It is entirely brain candy, and if you are looking for a taut spy thriller, you might be dismayed by all the plot holes you threaten to fall into, but if a silly modern masala that mixes action with romance and touristy-shiny views of foreign locales could float your boat, well, I present Ek Tha Tiger for your viewing pleasure! Salman Khan and Katrina Kaif, neither of whom can really, well, act, are clearly having fun and their enjoyment is infectious. Luckily acting isn't so necessary for this, and charisma (Salman's) and looks (Katrina's) carry the day.

The story centers on Salman's character, an Indian agent code-named "Tiger." He gets sent to Dublin to keep tabs on an Indian professor who may be sharing sensitive technology with Pakistan. There he meets Katrina's character, who takes care of the professor's apartment and also works at the local theater in some capacity (which is why at one point we get glimpses of a very, very odd stage performance of "Pinocchio"). He falls for her, but he hasn't been able to tell her who he really is, which is troubling for him. As it turns out, she is not what she appears to be either. So adventure and romance ensue.

This film had the kind of wink-and-a-smile lightheartedness that I am a sucker for. It definitely does not take itself too seriously. For example, after the song-and-dance to "Banjaara" that lets us know that Tiger has truly fallen for the girl, Tiger's disapproving colleague suddenly appears saying, "What are you doing? Were you just dancing??" Tiger, looking briefly sheepish, glances back down the now empty street, which just moments before was filled with singing-and-dancing extras in various colorful costumes, and says innocently, "Dancing? No one's dancing." I cracked up! The film had already been silly fun, and I think, after that good laugh, I was in a very forgiving mood for viewing the rest of it.

If you are an action film buff with exacting standards for realism and a desire for the plot to make some kind of effort at logical sense, don't bother with this film, just get a laugh from The Vigil Idiot's comic review of it (warning for bad language). But if you can turn off your brain and enjoy, then... enjoy!

Am I the only one on the planet who thought this was much more fun than Dabangg? Comment and let me know!

Jodhaa Akbar- Visiting Mughal India

Recently, I read Indu Sundaresan's books The Twentieth Wife and The Feast of Roses. They are well-written and fascinating; the author obviously steeped herself in research, and her books are vividly strong when it comes to a sense of place. The books are about Nur Jahan, who is a very interesting historical figure. She married the Mughal Emperor Jahangir when she was 35, which was considered quite old. She was a widow and already had a daughter at the time. But the emperor married her and was, by all accounts, truly and deeply in love with her, above all his other wives and concubines, and he granted her an extraordinary amount of power.  For a time, she ruled Mughal India.

The movie Jodhaa Akbar is not about her. It is about Emperor Akbar, Jahangir's father, and one of his wives, notable for being Hindu, and I believe she was in fact Jahangir's mother. But Akbar does feature pretty prominently in the first book, The Twentieth Wife (though Jodha Bai is mentioned only once, and not by that name), and after feeling like I had spent a good deal of time in Mughal India via the written word, I thought it would be nice to see a cinematic rendition of that world.

First brief reactions:

*You don't want to be the target of an elephant on the battlefield.

*Hrithik Roshan is an extremely attractive man.

*Proof that actors don't have to get naked to portray a sensual romance.

*I loved it!


This movie, at 3.5 hours, was a not inconsiderable investment of my time, but I was totally, blissfully involved. Nary a boring moment. Aishwarya was, as always, stunning. She also gives a lovely performance in a strong role (and, for a bonus, we get to see her sword-fighting, which was very fun). This was my first view of Hrithik, and he is definitely easy on the eyes (see first reactions above).

This is the story of Emperor Akbar marrying Jodhaa Bai, a Hindu princess, as a political alliance, and how they come to truly love each other. It is mainly a romance, with the intrigues of the empire as a backdrop. It is full of color and has beautiful costumes and music. And did I mention that I loved it?

Netflix has been pushing Jodhaa Akbar at me for some time, but I'm actually glad I waited on this one. Some things I would have found very confusing without having read Sundaresan's books, like the fact that he's not called Akbar at all for most of the movie. Thanks to The Twentieth Wife and The Feast of Roses, I knew that names were changed and added at important times throughout the lives of important Mughal figures, so I wasn't left scratching my head, just pleasantly wondering when the "Akbar" would come. Another small example is when they show Akbar sitting in one side of a large balancing scale while they pile gold and treasure into the other side. No explanation is given, so it's only through the reading I had recently done that I knew this was something done at celebrations or perhaps generally auspicious times, and that "his weight in gold" was to be distributed to the common people. And all-in-all, I just have the sense that I had an easier time following what was going on with all the politics and battles and what-not having read those books.

On the other hand, I'm fairly certain not being a scholar on Mughal India is a good thing when it comes to enjoying this film. The (very) small amount of reading I have done makes it clear that this wasn't an entirely accurate representation. For example, where is the rest of his harem? Conveniently absent, but the onscreen presence or even the allusion to more wives (not to mention concubines- and isn't that a horrible sounding word?) would have been to great detriment to the romance. And I love the romance, so I am glad they skipped the historical accuracy there. Hrithik and Aishwarya did a fabulous job portraying the gradual rise in both physical attraction and actual respect and affection, and the will-they/won't-they tension was delicious.

One of the things I love about this romp through Indian cinema I've been taking is the enjoyable cumulative effect of things making more sense because of other things that I've seen already, or, conversely, discovering something that illuminates something I've seen before. Two such instances from this viewing experience:

On their wedding night, Jodhaa is standoffish and tells him she married him for her people, but her heart is not ready to accept him. He tells her that according to the laws of Islam, if a wife is not happy she can divorce her husband. She replies that that may be true in his traditions, but as a Hindu she believes the bonds of marriage last "for seven lifetimes." Light bulb moment! So that's why, in Hum Dil De Chuke Sanam,  

(SPOILER ALERT)

when Nandini tells Samir she is married and staying with her husband, and he lets her go, he says the time they spent together will last him for seven lifetimes, but on the eighth life he wants to be with her again. Those specific numbers meant something! I get it now!

Also, after having listened to the soundtrack from Ek Tha Tiger for the last few months, especially this song, and having gone to the Bollymeaning site (love that place) and read this very nice explanation of what the title word "Mashallah" means, it was very fun for me when, during their mostly playful sword-fight, Akbar removes the scarf from Jodhaa's face and then exclaims appreciatively, "Mashallah!" I was grinning like a little kid, thinking, "Hey, I know what that means!"

But maybe I'm easily excited.

Easily excited or not, this film was a treat! If you like romance at all, not to mention beautiful costumes, battles, intrigue, scheming, excellent music, a compelling sense of glimpsing an exotic time and place, and, well, most of all, romance- then you're in for a good time! Have fun and think of me when you hear him say "Mashallah!"