Well, let us see...
I found Chance Pe Dance, Kismat Konnection (Yes, I watched the whole thing! ...Why do you ask?), Chup Chup Ke, Vivah, Dil Bole Hadippa!, Milenge Milenge, Badmaash Company, and Kaminey.
The first one I watched was Chance Pe Dance, which was entertaining enough, but, especially considering I was searching for something as good as JWM, a disappointment. Also, for a movie with "dance" right in the title, it is surprisingly light on dancing. And the dancing we do get is the kind of hip hop designed to show off Shahid's muscles.
You see? Not that his physique is unimpressive, but I prefer some impressive choreography. And the dancing was all just so... Western. So that was disappointing, but the story is engaging enough, about a wannabe movie star trying to make it in Bollywood, and his misadventures on his way to the top. There is romance, there is the tension between honoring family commitments and chasing your dreams, there is professional betrayal. There is also a major sideways step in the plot involving Shahid taking a job teaching dance at a school when he can no longer foot his bills. But then there is a happy ending with Shahid looking fantastic on a red carpet. I was entertained but not riveted.
Personal hygiene happens in the school bathroom when he can no longer make rent. |
To be fair, I must mention that my 10-year-old son says this is his favorite Bollywood movie. It's true that he has only watched six, but all of the other five that he has watched (Veer-Zaara, Rab Ne Bana Di Jodi, Dil To Pagal Hai, Dil Bole Hadippa! and Billu Barber) I would put ahead of this one. So I asked why, and he said, "It's the first Bollywood I got to see all the way through." There is something fascinating about this phenomenon; I've heard others say the same thing. Others who have had wider experience in Bollywood cinema. Apparently, if you are destined to like Bollywood at all, the first film that brings you to this world will hold a special place in your heart forever.
On to Kismat Konnection...
Ok, I think I almost gave up on Bollywood after Kismat Konnection and wrote Jab We Met off as a fluke. The premise is that Shahid is a struggling architect who can't catch a career break. He visits a psychic who tells him he has to find his lucky charm, and then as long as his charm is with him everything will go right.
"Of course I can tell the future! Look what I'm wearing!" |
All-in-all, watching this movie was not such a great experience. But Shahid did well with what he had to work with- he really can act! I remember one scene in particular, when Shahid and his lucky charm are starting to fall in love. Shahid is staring at the heroine while he thinks she can't see, and he looks so sweet and wistfully besotted. But still, this movie had a mega-dose of the Bollywood corniness without its larger-than-life charm, and without any of the beautiful costumes or scenery. And really, without the heart and charisma that just makes it work. Also, the music was so forgettable that I've literally forgotten it. I'm assuming there was some, but I don't remember it at all.
Say whatever you must to get out of watching this movie. |
And then I found Chup Chup Ke. Not only Shahid, but his Jab We Met co-star Kareena Kapoor as well!
I actually love this movie a lot, but oddly enough, the first time I tried to watch it I gave up and turned it off. There is a particular reason for that, though. The movie involves two bumbling fisherman characters (on the cover above), and they provide a lot of physical comedy. At the point that I turned it off on my first go-around, it involved one of them mistakenly getting a tooth pulled (without pain meds). I feel vicarious pain too acutely, I suppose, because not only was that not funny to me but it made me feel faintly sick. Perhaps I've just had one root canal too many. But for some reason I kept thinking about this film, and the beginning had intrigued me, so after a little interval I went back and tried again, using the special technological feature known as "fast-forwarding" to avoid the scene I had so disliked the first time.
It is a lot of fun! But a bit strange, yes, definitely a strange story. Shahid is a would-be entrepreneur who has racked up a lot a debt from various failed enterprises. He decides to commit suicide so his family can collect life insurance on him and escape hounding by the debt collectors. He throws himself into the ocean, but of course, as Shahid is far too handsome to die, he is fished up by the aforementioned fishermen and ends up getting his lot thrown in with them. Oh yes, and he pretends to be deaf and dumb (there's a reason!). The fishermen have their own problems with debt, and Shahid and one of the fishermen end up working in a rich family's house as a consequence. In that house lives Kareena, who is mute, although not deaf. I won't try to explain more, because the plot is on the convoluted side and will suffer from being laid out for viewing out of the context of the film itself. But watching it is a lot of fun. Romance! Angst! Love triangles! Misunderstandings! Friendship! Family ties! AND (drum roll please) Shahid Kapoor dancing! My husband came in while I was watching Dil Vich Lagiya Ve, and even he remarked, "Well, that Shahid Kapoor guy certainly can dance." Yes. Yes, he can. Anyway, I recommend giving Chup Chup Ke a try!
Beautiful people dancing in beautiful clothes make me happy. |
Coming up in the next Searching for Shahid installment- Vivah, Dil Bole Hadippa! and Milenge Milenge. What do you think of Shahid Kapoor's filmography?
I started Chup Chup Ke in my Hindi class and never finished it, and I was too scared to try Kismat Konnection.
ReplyDeleteSomething about the extras. My blogging partner and I have talked about this phenomenon in film in general. In K-drama and Bollywood - foreign actors are TERRIBLE! They have terrible dialogue, terrible acting, and they are just all around awful...but then if we look at foreign actors in Hollywood - same story. A Korean might be cast as a ninja assassin, or someone who's Chinese might play a generic Asian character who is supposed to represent all martial arts forms and all of Asia. All too often I think film makers in general fail to recognize that their audiences are international and intelligent, and that we expect something more. And just like many westerners say that all Asians look alike, I think that there is some of that kind of bias coming from the east. And so I think that the problem will go away only when east and west can actually start more collaboration and make some headway in treating each other with respect.
Sorry for that super long response!
Chup Chup Ke doesn't start out very strong, but I think you should try finishing it! But your fear of Kismat Konnection was well founded. :)
DeleteYou make good points, and certainly mutual respect would help a lot with a lot of issues, including and beyond the quality of acting from extras in movies. :)
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