The inciting incident of the film unfolds thusly: Viren is working as a cab driver, saving money to start a business of his own someday. One day he comes to work to find that his boss has sold all the cabs, which is a problem for him, because he was storing all his hard-earned money in his cab. He gets drunk and later comes back with a gun, demanding his boss reimburse the lost money. It so happens that his drunken tirade is interrupting a meeting in which his boss is arranging the marriage of his daughter, Mini, who is not happy with the match her father has picked out. Being a spunky sort, and a skilled hand with firearms, Mini forces Viren to drive off with her, pretending that she is being kidnapped. The pair strike a deal in which they plan to split the ransom money Mini's father pays for her, so that he'll get his money back and she'll have the funds to go off and live her life the way she wants to.
It's a pretty implausible story line, but this is not the type of movie to worry overmuch about such trivialities. And it basically works, mainly because the two leads play so well together. Genelia D'Souza is animated and energetic, and I found her completely adorable. Ritesh Deshmukh also gives a heartfelt performance, not seeming to mind that a good percentage of the time he is playing the straight man to Genelia's spunky quirkiness.
It is a harmless, fluffy movie and fun to watch. And it reminded me of something. After it ended, I realized that it reminded me of Mere Brother Ki Dulhan.
In Mere Brother Ki Dulhan, Imran Khan plays Kush, who agrees to find a wife for his brother Luv (Ali Zafar). He finds a seemingly ideal match in Dimple (yes! a person named Dimple!), but, none too surprisingly, the two of them end up falling in love with each other, and the film deals with their attempts to find a way to be together without causing hard feelings.
It's not that the plotlines of the two movies are terribly similar, it's the overall feel of both of the films. Both films are simple, aim-to-charm love stories in which the romantic pairs don't intend to fall in love with each other but inevitably and with much cuteness do.
But that's not all. In each film you have a spunky, goofy main female character (who, naturally, also happens to be very beautiful) who takes the lead in a lot of the hijinks of the film but also is a bit childlike and needs to be reigned in a smidge by the main male character.
|Katrina Kaif, incidentally, is much better at being cute and quirky than emotional or sultry. I wouldn't say that she displays any great acting in MBKD, but her performance is pretty charming nonetheless.|
Also, in each of these movies, the male protagonist is more sensible and a bit more conservative and buttoned-down than his love interest, and more sensitive to the possible repercussions of the two of them deciding to be together.
But since they are both feel-good romcoms, in the end, love gets to prevail in both movies!
It occurs to me now that I'm not quite sure of the point of this exercise in comparison, unless it is to point out that if you liked one of these, you will quite likely enjoy the other as well. I very superficially enjoyed them both. Nothing deep here; what you see is what you get!